Aaron Parks/Hania Rani

Aaron Parks ~ Little Big III 

Aaron Parks’ latest album, ‘Little Big III’, is the third in a series titled Little Big and his fourth album featuring a guitarist. The album (and series) also expands the soundscapes and ideas explored on his successful first Blue Note release, Invisible Cinema (2008). It is an album with a big heart which embraces the listener with rich textures and a tapestry of gorgeous melodic lines. Parks is highly regarded as a pianist and composer and never appears to rest on his laurels, reaching further with each new recording. 

The band is in perfect sync, and each player is given the space they deserve. Parks’ compositions are always compelling, but they reach for the heartstrings here. There is considerable technical mastery, but a sense of humanity strikes you most. The tune titles tell you this, ‘ Locked Down’, or ‘Heart Stories’, inviting you into an expansive and unfolding narrative. It feels like a story of our times, but one reminding us of the beauty we may have overlooked amidst the turmoil.

Parks is a distinctive pianist who has never had trouble finding the best musicians to accompany him. Jazz lovers in Aotearoa New Zealand can rightly feel proud in this regard. ‘Invisible Cinema’ and ‘James Farm’, featured bassist Matt Penman. On Little Big 111 and the two earlier iterations, we hear guitarist Greg Tuohey (who first recorded with fellow Kiwi Penman over twenty-five years ago). Tuohey’s playing is magnificent and, along with his bandmates, he contributes tunes too. 

The sharing of the compositional duties has yielded riches. Parks has a distinct style; his tunes are as compelling as they are memorable. I particularly like ‘Flyways’; a pulsating ostinato chant that frees the drums and bass, while the breathtaking melodic lines soar. There are four Parks compositions, all interestingly different. Oriental references are evident in ‘Delusions’ while the lovely ballad ‘Ashé’ has a wistful, folkish vibe. 

Three tunes are Tuoheys, expanding the palette to include funk and Americana. His tune ‘Willamina’ is a joy, it is here in particular that you hear what a great guitarist and composer he is. It evokes tumbleweed towns and gentler times; memories we hold onto lest they slip from our grasp. Bass player David Ginyard Jr’s ’Little Beginnings’ has a beguiling loping pulse and uses a larger palette, to great effect. The drummer, Jongkuk Kim, is new to me, crisp, imaginative and impressive.  I hope there is a Little Big IV in the wings. ‘Blue Note Records ~ available in stores and by streaming.

Hania Rani (Hanna Raniszewska)  

I subscribe to jazz author Ted Gioia’s Substack posts, as all improvised music lovers should. In a recent issue, Gioia highlighted a handful of modern Polish improvisers he suspected would be unknown to audiences outside of Northern Europe. He particularly liked Hania Rani, who he described as his new favourite pianist. 

There is something ethereal and achingly beautiful about her music and everyone who stumbles across it, feels like they’ve uncovered a secret. What initially strikes you as a few simple fragments of melody on repeat, is music for deep listening. Underlying the ostinato phrases are endless changes, finely wrought. She layers and loops while catching her listeners in a silken web of sound; sometimes reaching inside a grand piano, using an upright piano for percussion and adding small digital effects. It is an ever-expanding pedal point over a pulsing drone which may be the key to its appeal. She magics up something complex and deeply satisfying, crafted out of simplicity.  As if that were not enough, she also sings beautifully.

Although not a household name, she gets 7 million views for her YouTube clips, performs at the Louvre and has appeared in an NPR Tiny Desk concert. I have included a clip from a recording she made in Studio 2 in Warsaw, a favourite venue due to its acoustic properties. Sometimes the best things are hiding in plain sight. This is improvised music, but genreless, touching on classical, Jazz and house, but somehow free of those confines.

Rani mainly records for Gondwana Records with seven albums released. It is worth checking her out on YouTube.

JazzLocal32.com was rated as one of the 50 best Jazz Blogs in the world by Feedspot. The author is a professional member of the Jazz Journalists Association, a Judge in the 7VJC International Jazz Competition, and a poet & writer. Some of these posts appear on other sites with the author’s permission. 

LacLu (Self Titled)

I was idling my way through the morning when a message from a friend in the UK lit up my phone. ’I’m sitting in a Jazz club in Dublin, and I have a Kiwi couple with me whose daughter is an Auckland-based jazz musician. She plays in a band with guitarist Keith Price, do you know her?’ I know Price well and have attended many of his gigs but the name Francesca Parussini didn’t ring a bell. I had missed Price’s last gig so I checked through my invitations and saw that she was a saxophonist and a member of Price’s new band LacLu. The other band member was Maximilian Crook, a versatile, tasteful up-and-coming drummer. I messaged Price for more information and learned that LacLu had recently recorded, resulting in an EP album, due for release later in the year.   

Fast forward to last week, when a review download arrived. I listened and was delighted by what I heard. The LacLu album taps into an expansive realm akin to Spiritual/Astral Jazz, whose definition has expanded over the years to encompass improvised music reverencing the natural world. As human-induced chaos and degradation of the environment assails us, music that invites us to reflect on nature is increasingly appealing. The influences cited in the liner notes are Frissell, Lovano and Motian. While influences are evident — touches of Americana, colourist drumming and content-rich minimalism — the album is forward-looking and more than a tribute. 

The opener, ‘Winter Fog Morning’, is in two parts. Beginning with haunting pedalled phrases on the guitar, gentle drum and cymbal taps, and whispery phrases from the horn, each underscoring the other as they paint a landscape with deft sonic strokes. You hear what could be bird calls rising out of the fog. The scene has been set and part two expands the vista. What follows at a lilting gait is a melodically and texturally rich tapestry that is both raw and caressing. I live where Price lives, among the Waitākere hills, ragged coastlines and foggy wooded valleys, and the band has captured the beauty of that landscape.

The third track, ‘Stella by Starlight’, pays tribute to a loved standard but pared back, reduced to its essence and done in a way that only skilled improvisers could pull off. Scant phrases of the loved melody appear, change and evaporate. Here especially, Price shows us what he is made of, his playing is evocative and tasteful. This is a gem and it is hard to believe that the drummer and saxophonist are not seasoned performers like Price. They are recent jazz school graduates, but despite the disparity in years and experience, the band performs as equals. The last track, ’Friends and Whanau’ rounds the album off nicely, reminding the listener of our human connections, and the interconnectedness of all life. Here the warm shadings of Americana are most evident. 

Throughout there is spaciousness, seamless interaction and open improvisation around composed motifs. The name Laclu references a lake in Ontario and a general locality. The area is described as having ‘indistinct boundaries’. Price grew up near there but never visited the lake and perhaps that is the perfect metaphor for the album. What appears to be place-specific is more than that. It is any place where nature rules, places we can call home if we work with nature, not against it. 

Keith Price (guitar), Francesca Parussini (tenor saxophone), Maximilian Crook (drums) – Ainsley Duyvestyn-Smith cover photography, recorded at the Kenneth Myers Centre Tāmaki Makaurau. The album is available on Bandcamp and streaming platforms – click through here at laclu3.bandcamp.com/album/laclu-self-titled   

JazzLocal32.com was rated as one of the 50 best Jazz Blogs in the world by Feedspot. The author is a professional member of the Jazz Journalists Association, a Judge in the 7VJC International Jazz Competition, and a poet & writer. Some of these posts appear on other sites with the author’s permission.