CJC Creative Jazz Club gigs, Concerts - visiting Musicians, New Zealand Jazz Gigs

Auckland Jazz Festival 2014

10688248_10153292857019815_4943218536330929034_o

This is great news Auckland.  The inaugural Auckland Jazz Festival opens on the 17th October, followed by 9 days of gigs across town.  Put together by Ben McNicoll and the CJC (Creative Jazz Club) team, which guarantees the excellence and diversity in programming.  A number of bars have enthusiastically come onboard and Jazz lovers should reward their commitment.  Because there are smaller venues or bars in the mix there will be some gigs with no cover charge, while others will charge a modest entry fee.  For pricing, bookings and programming visit the Auckland Jazz Festival website (below).  The headline gigs will be held at the CJC with the Mike Nock Trio (Australia) appearing on Tuesday 21st October, followed by the Benny Lackner Trio (Germany/USA) 22nd October and Francisco Torres/Roger Fox (USA/New Zealand) on the 23rd.   the-troubles

It would be crazy to miss any of these three gigs, in fact hire a babysitter or cat minder and cancel anything that gets in the way.  I know that I will endeavour to catch as many gigs as I can.  If this is well supported it will likely become a feature of the Auckland City arts calendar.  The gigs vary in style with each unique in some way.  Opening the festival at the ‘Portland Public House’ Kingsland is Wellington’s, fabulously wild anarchic band ‘The Troubles” (who I can’t wait to see again).  There are also offerings from the early swing era, groove funk, experimental improv and more besides.

Benny Lackner Trio

An Auckland Jazz Festival of this sort is long overdue and sensibly it’s run along the lines of a fringe festival.  There are no big sponsors calling the shots, which means that the choice of artists is in the hands of the organisers.  In the absence of any taint of commercialism you can expect edge, cool and excellence.  Think of it as a crowd sourced festival in which you have a vital part to play.  I have attended Jazz festivals run along these lines before and I prefer them, as they offer intimacy and a listening experience which you just can’t find in the larger venues.  The Montreal ‘L’Off’ festival immediately comes to mind.  It is important that we show our support by attending as many gigs as we can and don’t forget to visit the web site and ‘like’ the various gigs on offer (you know the drill, it is an important indicator of support).  The organisers and venue’s have put time and money into this and all we need to do is attend and enjoy ourselves.  Let’s show them that we appreciate it and put to bed the tired old myth that Auckland never gets behind the arts – see you all there.

franc-2

What: www.aucklandjazzfestival.co.nz   (Live link)

Where: At a number of prime small venues about Auckland including, CJC (Creative Jazz Club), 1885 Britomart, The Portland Public House, Tom Tom, The Golden Dawn, Hallertau

CJC Creative Jazz Club gigs, Concerts - visiting Musicians, Post Millenium, USA and Beyond

Benny Lackner (Germany) @ CJC

IMG_8492 - Version 2

I missed the Benny Lackner trio when they came last year and I had subsequently been besieged with the inevitable, “man you missed a great gig”.   This time I made sure that was able to attend.  Benny Lackner is from Berlin, Germany and his touring schedule has taken him round the world a number of times.  His brand of jazz is forward-looking and has a distinctly modern-European feel about it.   I am a fan of European styled Jazz although surprisingly it is often overlooked by American Jazz fans.  This is ironic because American Jazz musicians have always relied heavily on European tours and are hugely supported there.

This trip Benny came without his trio and teamed up with Cameron McArthur and Ron Samsom for the Auckland gig.   As the gig approached a problem arose, when the building owners required the downstairs room for a function.   The room with the lovely grand piano in it and the better acoustics.  An urgent call went out for a Fender Rhodes and before long Mark Bains had lent one, along with a nice keyboard.   The upstairs venue has a nice feel to it but the acoustics are more difficult to manage.  Such obstacles are quickly dealt with by experienced musicians who are quite used to playing in a wide variety of settings.

IMG_8525 - Version 2

The sets were mainly centred on Benny’s own compositions, but interestingly he had thrown in some modern pop tunes, mined for their improvisational worth.   There was a Bowie number and a Radiohead number, both of which went down extremely well with the audience.  Gone is that awkwardness that the 50’s Jazz musicians often exhibited when they tackled the popular tunes of the day.   From Miles onwards and through to Brad Muhldau ( a mentor of Benny’s) the game has changed.   American musicians like Bob Frisell and others will routinely interpret modern tunes or rock classics.   In many cases the vocabulary of rock is appropriated.  The Europeans however are the masters of this and artists like Mathius Eik, Esbjorn Svensson and Marcin Wasilewski have blazed a clear trail ahead.  He also tackled Monk’s ‘Bemsha Swing’ which I have posted.  EST played this often and this version takes the tune even further out.

IMG_8518 - Version 2

Benny Lackner approaches his material obliquely and to my ear there is no hint of the Evans legacy in his voicings.  He often plays big percussive chords, but he can also show real sensitivity as he negotiates the well constructed tunes.  The Radiohead number worked particularly well on the dominant sounding Rhodes, with the slightly softer voicings emanating from the smaller keyboard.  You get the feeling watching Benny at the keyboard that he views each performance as an open-ended adventure.  I am only sorry that we never got to hear him on the clubs grand piano.

He told us that he was very pleased with his new band mates and why wouldn’t he be.   Ron Samsom is such a fine drummer that you expect a top-level performance from him.   Ron has a world of experience behind him and so many local and visiting overseas acts benefit from his multi faceted traps work.  I have never seen him falter in any setting and the diverse styles required of him only appear to urge him on to greater heights.

As has been the case so often in recent months, Cameron McArthur filled the bass slot and all of the experience he is gaining is now paying dividends.  This guy is a crowd pleaser, with the chops and ears to provide the goods.   We also heard some very nice solos from him.

This has been a big tour for Benny.  From Berlin his hectic schedule took him through South East Asia, Australia and New Zealand.  Although he was born in Berlin he also lived in the USA for many years.  The many influences absorbed along the way have moulded him into an original and interesting pianist.

Who: Benny Lackner (leader, keys, compositions), Cameron McArthur (bass), Ron Samsom (drums)

Where: The CJC (Creative Jazz Club), 1885 building, basement, Britomart, Auckland 9th October 2013