Brian Smith is a legendary figure in New Zealand Jazz, achieving career highs that few others attain. Normally artists of this stature settle overseas and are seldom seen after that. It was our good fortune that Smith moved back to New Zealand and in consequence, we get to hear him perform locally. It’s a moot point whether good musicians ever truly retire (luckily, the answer is seldom). Not so long ago he formed a quintet and since then he has been performing at venues around town. While Smith is a regular at the CJC, this is the first time that we have seen the current quintet in action. The event was predominantly a standards gig and a band of veterans is the right vehicle where standards are concerned. When you bring a selection of loved tunes back into orbit, comparisons are inevitably made. Therefore it pays to choose well and to perform them well and that’s exactly what the Brian Smith quartet did.
Smith possesses an authoritative air on his horn, the end result of considerable experience and his well-acknowledged chops. Consequently, he always sounds great and always looks comfortable on the bandstand. Behind him in the darkness was Frank Gibson, Jr on drums. Gibson and Smith go back a long way and he is exactly the right drummer to lift these warhorse tunes to glory; most of them coming from the hay-day of Jazz. While Gibson has many strings to his bow, this is his forte. Up front was multi brass and reeds player Chris Nielson. It was good to hear Nielson again and especially on trombone, a horn that has sadly been disappearing from small ensembles since the 60’s. Nielson also brought other horns with him, favouring an American cornet, an instrument which in his hands, produced a strong rounded tone. On bass was Bruce Lynch, a highly competent electric and acoustic bass player who is well-known as a music producer and as a former member of the Cat Stevens band. Almost hidden on the right side of the bandstand was Dean Kerr on guitar. His guitar work was strongly chordal and supportive of the others, providing well-placed contrast for Smith and Neilson as he comped.
Among the standards were ‘In Walked Bud’ (Monk), Stolen Moments (Nelson), There is no Greater Love’ (Jones), Freddie Freeloader and All Blues (Miles), Killer Joe (Golson), St Thomas (Rollins). I have posted a clip of the perennial favourite ‘Softly as in a Morning Sunrise (Romberg/Hammerstein). There was also a nice tune by Smith which think is titled ‘Short Shift.
The gig took place at the Thirsty Dog for the CJC Creative Jazz Club on March 7, 2018. Brian Smith (leader, tenor saxophone), Frank Gibson Jr. (drums), Chris Nielson (trumpets, flugelhorn, trombone), Dean Kerr (guitar), Bruce Lynch (upright bass).