It is rare to have a Viking encounter in New Zealand as our Geographical isolation makes it difficult. A foolish few, claim, that Eric the Red visited here after he sailed to America. That is as fanciful as Trump’s claim to possess genius IQ. I have had four significant Viking encounters in my life. The first was when I visited Yorvik in York. The second occurred in a crowded hall when a booming female voice hushed everyone by proclaiming – ‘Lookout a Viking has entered the room’ and pointed directly at me. Wives were gathered close as all eyes turned nervously in my direction (the embarrassment subsided after extensive counselling). The third occasion was when my DNA revealed that I was 21% Viking (the woman was right). A few nights ago, I had another Viking encounter and this one was perfect. A descendant of Eric’s finally made it, with a baritone battle horn and batterie in tow.
It was 10 degrees below when John Pal Inderberg left Norway and 40 degrees above when he and Hakon Johansen landed in Sydney. By the time they visited Auckland, there was only a 38-degree temperature differential. This gig, was as unexpected as my previous Viking encounters – coming out of nowhere. Jeff Henderson had pulled it together at short notice and those who attended will be eternally grateful that he did. Henderson and Inderberg go back some way. Baritone saxophone gigs are extremely rare; baritone chordless trio gigs like hens’ teeth. Inderberg opened with a long intro; a beautiful Norwegian folk-influenced melody – the deep resonant notes bubbling up from the depths – pleasurable from the first instance. His rich tone, northern European, his ideas as he improvised, an endless stream of Nordic sagas. I have only heard one baritone player who sounds like that – John Surman (who also lives in Norway).
The setlist was a mix of originals and standards – the standards sounding wonderfully original, as breathy stories were unpicked. Woven into the tunes, were snatches of multiphonics – between the tunes, a cornucopia of humour. This was Nordic humour and extremely funny. At one point, he told us that a particular tune was difficult and required a lot of rehearsal. “This tune has a lot of de-crescendos and Vikings are very crescendo orientated. Loud shouting is embedded in our DNA after all of that pillaging”. He later explained that the band were enjoying their new uniform (although no one was dressed the same). “Not one of us is wearing underpants on stage,” he added. “In Norway at 10 below, our underpants stretch from here to here,” indicating his chest and ankles. In this heat, they are not welcome.
Inderberg has an impressive resume. He has toured and recorded with Lee Konitz, Warne Marsh, Chet Baker, Gil Evans and Bob Brookmeyer. He teaches at Trondheim, is a multi-award-winning musician and a key member of many ensembles and Jazz orchestras. He has definite Tristano leanings and this shows in his approach to improvisation. We discussed Warne Marsh’s sad final performance – dying as he played ‘Out of Nowhere’. We call it ‘Out of Norway’ he told me.
We were extremely lucky to have both Inderberg and the trio drummer Hakon Mjaset Johansen in New Zealand. Johansen was also extraordinary – whether as a colourist or laying down a steady pulse, he showed himself to be the perfect partner (the percussively finicky Lenny would have approved – no kick drum bombs). On bass was the Auckland musician Eamon Edmundson-Wells. Was the Nordic-sounding name an X-factor? It may have been as he played as if he had been with the trio for a long time. It is always gratifying when our local musicians kill it alongside the greats.
Inderberg has over 30 albums to his credit. He will likely return before too long. Watch out for that, as his gigs are not to be missed. The Trio recorded an album in 2016 titled ‘Linjedalsleiken’ and it is superb. I have embedded two gig clips, just case people need further convincing and a sound clip from the album.
The above album is recorded for Ponca Jazz Records and is available from that site, or from iTunes. Also available, are a number of recordings of Inderberg with Lee Konitz – ‘Steps towards a Dream’ is astonishingly beautiful. Well worth the download if you have a fondness for the post-Tristano movement as I do.