There are a surprising number of good Jazz musicians living in New Zealand and that is why the CJC is able to provide a varied and interesting programme at the club. With Roger Manins as programme director the quality of the music is consistently high. I may have come to expect that, but I can still be pleasantly surprised.
Chelsea Prastiti is studying Jazz at the University of Auckland and I have heard her sing once or twice before. I knew that she was good but what took me by surprise was just how good. This was not your routine standards programme but fresh and original Jazz singing at the highest level. It was the sort of programme that a Sheila Jordan or a Norma Winstone might have embarked upon and in spite of the risks it was perfectly executed.
Matt Steele is a pianist I enjoy greatly and he certainly justified his place in the band on this night. Matt is in his third year and each time I see him play he gets better and better. His extended solo on ‘Bells’ was extraordinary and I cursed the gods for allowing my HD video tape to run out just before that.
Callum Passells was also in great form and he showed us again why he is so well-regarded as a musician. His alto needed little coaxing as he worked the changes and the ideas flowed in happy succession. Any band with Callum in can count itself lucky.
The band members were; Chelsea Prastiti (leader, vocals, arranger, composer), Callum Passells (alto sax), Matt Steele (piano), Elizabeth Stokes (Trumpet, Flugal), Asher Truppman Lattie (tenor sax), Eamon Edmunson-Wells (bass), Jared Desvaux de Marigny (drums).
Chelsea had arranged the numbers in the set and five of the songs were originals composed by her. I will mention three numbers in particular as the contrast between these illustrates how well thought-out the programme was. Second in the set was ‘Bells’ ( C Prastiti) and it was mind-blowing. The band blew like crazy and each band member seemed to urge the others to greater heights. Chelsea, Matt and Callum excelled themselves . This is one of Chelsea’s compositions and it had all of the elements of great Jazz contained within its structure. A tight arrangement, harmonic inventiveness, room for hard blowing and a structure that lent itself to out-improvisation. I was standing near to Caroline (who teaches her at the University) and after the number we looked at each other in disbelief. Even in the subdued lighting I could see tears in her eyes.
The fourth number was a skillful arrangement of Maurice Ravel‘s. The airy – ‘La Vallee Des Cloches’. This was a fully arranged piece and with vocalese in the mix it was the perfect counterweight to what had preceded it. Drums, bass, piano, voice, alto sax, tenor sax and fugal horn in perfect concert.
It was the last tune that had us all wishing that the music would never stop. The composition was once again by Chelsea and called ‘Santa Muerte’ (the Mexican ‘Saint Death‘). It immediately brought to mind the madness and the wild beauty that is Mexico. A hint of mariachi and a lot of jazz chops were on display. I have included that as a You Tube Clip.
That a student so perfectly executed such difficult and exciting material is breathtaking – more please Chelsea and soon.
2 thoughts on “The Chelsea Prastiti Septet”
Go girrrl !
tremendous chels, Gedly