Mark Isaacs is an important and highly respected Australian musician and it was a pleasure to see him in Auckland again. It was October 2013 when he last visited and since then he has been busy with the presentation of his symphony and a number of other noteworthy projects. He is a celebrated Jazz and classical musician and he continues to excel in both genres. Musicians like this are rare, as the two disciplines require very different approaches. When you talk to Isaacs you realise that he is passionate about both. He respects the art forms far too much to settle for anything less than his best. In either genre.
I once recall naively asking a visiting musician whether the ability to perform at the highest level on an array of difficult instruments was a unique skill. I have never forgotten the answer. “No it’s the outcome of hard work and an exponential increase in practice time. Every instrument you play is practiced equally and intensively’. I am certain that the same would apply to working across different genres. That said, I suspect that attitude and aptitude are still somewhere in the mix.
Nothing annoys musicians more than being told that what they do is the result of a gift. It implies that the results come easily to them. Having great chops is only the starting point, as there is more to a successful Jazz musician than technique. Deep level communications are necessary and for a performance to work well, everyone must connect. Musician to musician and musicians to audience. Having something original to say and saying it well is something Mark Isaacs understands. Those performing at this level bring something unique to the equation. Something of themselves. An essence drawn from experience and an intuitive understanding of how time works. No matter how good a pianist, bass player or drummer, a piano trio is still a collaboration. Isaacs must have been happy with Holland and Samsom. They are two of our best musicians.
Isaacs comes from an exceptional musical family with a lineage stretching back to the Stephane Grapelli band and probably beyond that. Knowing the depth of his classical and Jazz heritage gives an added perspective to his multifaceted career trajectory.
I missed the first few numbers and arrived at the CJC just as the trio were warming up. The first number I heard was Kenny Dorham’s ‘Blue Bossa’. A much-loved standard that has remained extremely popular. Good improvising musicians extract gold from compositions like this (and often without needing to deviate far from the traditional chart). This was a night of wonderful standards played to perfection. Hearing a superb pianist and a solid rhythm section performing in such an intimate space is something Jazz fans live for. Everyone there experienced the warm glow. A warmth that only nights like this can impart. I truly wish Isaacs lived a lot closer. My appetite for his playing is far from being satisfied. My late arrival was due to a previous gig and as I walked in, the sound enveloped me completely. Before I had settled Ron Samsom had grinned in my direction, Oli Holland had poked out his tongue and Mark Isaacs had given a quick wave (mid solo). With those brief gestures the realisation swept over me that this club and these musicians are family. A. J. a club regular grabbed me in the break and said tongue in cheek, “Thank god your here man, the universe has realigned”. Ron Samsom the drummer added, “Yeah it took us a while to settle because there were two strangers in YOUR chair and you were nowhere to be seen”. I guess I am like the guy who lives perpetually on the bar stool of his local bar. Sort of Jazz furniture.
A performance of Mark Isaacs ‘Symphony’ has been professionally filmed and it was recently purchased by the ‘SKY Arts’ channel. It plays in New Zealand on the 10th June at 8pm. Please support this important work by watching and perhaps writing to SKY Arts and saying how much we appreciate seeing material like this (The same for the recent Mike Nock/Contemporary Dance film on SKY Arts). These are important artists and landmark events. We live in a crass market-driven world where the Philistines try to dictate our taste. Without our support these amazing artists can struggle for wider recognition. Writing to encourage the purchase of such films is the least we can do by way of thanks. Remember, this works best as a collective enterprise and all of us have a role to play in this.
What: Mark Isaacs Trio – Mark Isaacs (piano), Oli Holland (bass), Ron Samsom (drums).
Where: CJC (Creative Jazz Club), Britomart 1885, Auckland, New Zealand, Wednesday 22nd April 2015