Nathan Haines is a master of the melodic and the model and he has a beautiful and distinctive sound on all his horns (and winds). He has a strong following around the world and it is no wonder when he turns on gigs like this. His following crosses genres, attracting younger and older audiences equally. He also cuts through media blind spots in a way that few other New Zealand improvising musicians do. It is good to have him on home soil for a while and good that he is focussing on fresh local projects. What he does is always exciting and this gig was no exception.The talented and hard-working, Haines always thinks through his projects. Hot on the heals of his successful award-winning Jazz albums ‘Poets Embrace’ and ‘Vermillion Skies’ he has again teamed up with arrangers Wayne Senior and Mike Booth. The decision to include more Jazz vocals is a welcome development. There’s a paucity of male jazz singers in the modern world and they’re a rarity in New Zealand. The set list was an interesting mix of Haines originals and a few Jazz standards seldom heard live. Like his recent Jazz projects, these tunes evoked and reinterpreted the classic era of the 50’s. Consequently they oozed cool. With Michal Martyniuk on piano, Kevin Haines on bass and Ron Samsom on drums he was already on solid ground. This is also where Haines excels. He is a bandleader who choses his musicians well. Martyniuk made his presence felt and soloed beautifully while never over playing. It was exactly what these charts required. Kevin Haines is a highly-respected, tasteful bass player with an impeccable CV. During the sets smiles and friendly banter flowed between father and son; further enhancing the mood. The highly experienced Samsom was on drums throughout. He is new to Haines lineups. His approach to the kit springs from a confident inner logic; more organic than Haines usual drummers. It was interesting to watch their interactions as they sparked off each other. Samsom giving Haines a different platform to work from.
The first few numbers were quartet only and the gorgeous and evocative ‘The Night Air’ opened the set. This is a lovely composition by Haines, with the warmth and vibe of a classic Impulse vinyl album (see clip). His tone is unique and especially evident when doing this material. It immediately took me back to hearing Pharoah Sanders for the first time. When Haines plays these modal pieces, there’s a spiritual joy that comes across. This is a strong suit for him and for those of us who love that era a balm.
As the set progressed the ensemble doubled to include a four piece horn section. There were distinct tonal and textural qualities to this ‘Little Big Band’; differing from his ‘Vermillion Skies’ horn section as that had French horns. The line up of trombone, tenor Saxophone, Alto saxophone and trumpet/flugal worked well. From ‘Vermillion Skies’ we heard J. J. Johnson’s ballad ‘lament’ and the vocal ‘Navarino Street’. Wayne Senior and Mike Booth had worked on the arrangements and few in New Zealand can match their arranging skills. Perhaps the greatest pleasure was hearing an arrangement of ‘Boplicity’ from the 1949 Miles Davis album ‘Birth of Cool’. Few bands tackle this and more’s the pity. The octet horn section were Mike Booth, Roger Manins, Callum Passells and Hayden Godfrey.
It’s always good to hear Haines singing and I think we will hear more of that in future. That said, as long as Haines puts a tenor saxophone to his lips he will draw audiences because his tenor playing infects us with joyousness. There’s a real warmth to his playing and if you have listened to Jazz for as long as I have, your memories will quickly conjure the days of Coltrane, Lateef or Sanders. On nights like this you feel the best of your yesteryear listening captured, then gifted back to you. As I filmed I noticed the famous artist Billy Apple sitting beside me. He leaned forward smiling and said, “This is wonderful, the vibe is just like a New York Jazz club of the 50’s or 60’s”. He is right.
Who: Nathan Haines Quartet & Octet – Nathan Haines (tenor, saxophone, vocals, compositions)- Michal Martyniuk (piano), Kevin Haines (bass), Ron Samsom (drums), Mike Booth (trumpet, flugel, arrangements), Roger Manins (tenor saxophone), Callum Passells (alto saxophone), Hayden Godfrey (trombone), – conductor arranger Wayne Senior.
Where:(CJC Creative Jazz Club), Britomart 1885, Auckland, 27th May 2015