H P Lovecraft died under appreciated, but it didn’t curb his output. His imaginings took him to darkly strange and exciting places. Places that few of us dared contemplate. While he reached deeper than writers like Edger Alan Poe and further into the human psyche, his wildest dreams could not have prepared him for Wednesday night. Reuben Bradley, time traveller and keeper of lost grooves has wrestled with the spirits and brought Lovecraft to life again.
If anyone was up to this interesting challenge it was Bradley. An original drummer who moves across the kit with balletic fluidity and whose focus and musicality enhances any undertaking. He possesses superb compositional skills and these are fed by a fertile imagination. There is another quality to Bradley and perhaps this is the key. He has a highly developed sense of the absurd. A good humoured irreverence that is never far from the surface. This time his attributes were given full rein and he has excelled himself. This is a truly exceptional album and it is no wonder when you consider the source material and the musicians associated with it. Bradley, Penman and Eigsti are a deadly combination and their interplay is crisply on the mark. Matt Penman is dear to our hearts in New Zealand. One of our finest Jazz exports. An expat from Auckland who conquered the American improvised bass scene in ways that few others manage. His work with James Farm, the San Francisco Jazz Collective, Aaron Parks, Kurt Rosenwinkel and a long list of luminaries is instructive. That he still appears with the best of our local artists and on local recordings is our immense good luck. An imaginative and wonderfully musical bass player who holds the groove and manages to tell interesting stories without distracting us from the overall focus of the piece. Few bass players could do this better than Penman.
Last but least is Taylor Eigsti on piano and keys. The New York based Eigsti is also an original stylist. While his name is often associated with the likes of Eric Harland, Joshua Redman, Ambrose Akinmusire, Julian Lage and Gretchen Parlato he deserves evaluating in his own right as leader. For a number of years now the Jazz community has singled him out as an exceptional talent. His back story and youthful entry onto the world Jazz scene is fascinating, but it is his mature output that continually amazes. He is well recorded, well reviewed and getting better with each passing year. At times you can hear influences but they are not the predominant voice. This is a wholly formed original artist and what he brought to Cthulhu Rising was priceless.The judicious use of sampled ‘Lovecraft’ readings in several places adds to the atmospheric feel and doesn’t detract from the overall musical experience. Every note played and every voice-over is well placed. Yet again Rattle Records have excelled themselves here. The secret of ‘Rattle Records’ tasteful Jazz catalogue must surely be seeping into the wider world by now. ‘Rattle’ is the ‘ECM’ of the South Pacific. This album was recorded at the ‘Bunker Studios’ in New York, Engineered by Aaron Nevezie and mixed and mastered by Steve Garden at ‘The Garden Shed’ Auckland.There was a change of personnel for the CJC ‘Cthulhu Rising’ release gig and for the Australasian tour to follow. Respected bass player Brett Hirst took Penman’s place and this was a sound choice. Hirst, another expat Kiwi, is well established on the Australian scene and frequently employed by visiting artists. He is a gifted musician and perfect for high end gigs like this.
Throughout the New Zealand leg of their tour they were enthusiastically acclaimed and no wonder. The project is well conceived and well realised. In spite of the incredible strengths of his band mates, this is still very much Bradley’s album. We are seeing more drummer led albums lately and the sheer exuberance and depth of this one is proof that the New Zealand improvised music scene just gets better and better.
Cthulhu Rising: Reuben Bradley, Taylor Eigsti, Matt Penman – on tour Brett Hirst – purchase the album from Rattle records or in stores
Live Gig: CJC (Creative Jazz Club), Britomart 1885, Auckland, New Zealand