Last weeks CJC/Anthology gig brought the Christchurch Brad Kang/ Jimmy Rainey duo to Auckland. While I have heard both artists before, this gig was a step up for them. Both looked comfortable on the bandstand and their confidence was justified. It is always a pleasure to witness early promise being realised and while neither could be considered veterans, both have received a measure of favourable attention. Both are well travelled and tested in the wider Jazz world.
I am more familiar with guitarist Kang as he has gigged in Auckland several times. The last time he played here he was just about to depart for the USA and that and his other trips have yielded dividends. He was always a competent player but a noticeable change has occurred. He is now playing fewer notes and the way he phrases resonates. I know that he has studied with Mike Moreno and it showed. The virtuosity is still there, but never at the expense of the music itself.
The last time I heard Rainey was at a CJC emerging artists gig but much has happened since then. He has benefited from overseas experience and his exposure to new ideas; particularly in his writing. This is a duo that writes to their strengths and because they understand that, they can play up a storm in consequence. At one point Rainey studied in Amsterdam, a Jazz loving genre-diverse proving ground. Anyone who has attended ‘Bim’ gigs will know what I mean. There’s a lot of freedom and innovation happening in that city.
From the first to the last tune they held us. The tunes while of varying tempos and alternating between the two composers, all spoke of the now. This is the type of music that is owned by younger players. It was unselfconsciously forward-looking and immediately brought ‘James Farm’ to mind. It did not lean heavily on harmony but the harmonic development was implied; there were clean unison lines and above all, the melody dominated. It was evident on the tune Spiral, where the cascade of lines emerged in sonic waves, while behind them piano, bass and drums carved up the rhythms.
And this was made possible by the skilled anchoring of Tom Botting’s bass lines and by the steady pulse from drummer Adam Tobeck. With Field, comping minimally the effect was enhanced. Wise heads and good players always adjust to accommodate. If he was alive today, it is tempting to think that Tristano might have embraced this direction?
The first tune Herfst was a majestic and evocative composition by Rainey. Herfst is a Dutch word meaning August (majestic and the season). This was a good warm-up tune as it gave us an idea of what would follow and the course once set, remained steady. Other tunes that Rainey penned were ‘Daze’ and ‘jubilate’. As well as the piece that I have posted on YouTube (Spiral), Kang composed ‘Passing Thoughts’ ‘A Quiet Place’ and ’Five Five Four’.
Brad Kang|guitar, Jimmy Rainey|tenor saxophone, Kevin Field|piano, Tom Botting|bass, Adam Tobeck|drums. The gig took place at Anthology K’Road for the CJC Creative Jazz Club October14, 2020
JazzLocal32.com was rated as one of the 50 best Jazz Blogs in the world by Feedspot. The author is a professional member of the Jazz Journalists Association. Many of these posts also appear on Radio13.co.nz – check it out.