The old adage ‘good things are worth waiting for’ proved correct last Wednesday. After two lockdown cancellations, the Michal Martyniuk Trio (+ Dixon Nacey), finally performed their long-awaited CJC gig. There had been much anticipation as the band is popular, and when the gig finally happened, everyone was excited. The European continent is a long way away and so we don’t hear many European bands live. The Martyniuk Trio (whether playing alongside Kiwi or Polish musicians), always manages to capture a piece of that northern vibe for us.
I have previously reviewed Martyniuk gigs and they never disappoint. I like them because they are uplifting. I like them for their melodic and harmonic richness. Martyniuk is a gifted pianist, but his compositions and arrangements are real standouts. The Awakening, The Opening’ Jazz Dance etc. His tunes feel like modern standards and I never tire of hearing them interpreted afresh. He doesn’t rest on his laurels either, bringing memorable new tunes to the bandstand with each gig.
A case in question was a soulful tribute to Lyle Mays (For Lyle). A reflective ballad, celebrating a creative giant now lost to us. The tune, captured the essence of Mays the musician while evoking sadness at his untimely passing. It was also somehow fitting that Martyniuk’s own tunes should be bookended by two Metheny tunes. Metheny’s and Martyniuk’s had been the last gigs I attended in the hours prior to the first lockdown. When tours stopped I recall wondering; when will I ever hear live music again? I listened to both Metheny and Martyniuk over the turbulent months that followed and recaptured the joy of those events. We are lucky to have live music again, and especially when so many others are deprived of it.
Another obvious reason for adding Metheny tunes to a programme of originals was the inclusion of Dixon Nacey in the band. Nacey’s interpretations of Metheny tunes are standouts. During recent gigs, he has introduced many of these into his repertoire and to much acclaim. He was very much on form last week and his soaring smooth as silk delivery filled the room. His warm sound also complimented the richness of the Martyniuk compositions. One of Nacey’s own compositions was also played.
Videoing this gig proved extremely difficult, as the room was dark and the sightlines impossible. It was also a packed house and so capturing the sound from a suitable location was compromised Those who want to hear more of the group should buy an album or go see them live.
The remaining band members, Cameron McArthur (bass) and Ron Samsom (drums) have long been part of the Martyniuk trio (NZ), having played with him for years and having appeared with him at ‘Java Jazz’. They are highly experienced musician’s and familiar with the material so they can explore its facets.
My recommendation is to buy Martyniuk’s records and to check out some of the recent YouTube vids captured in his native Poland or Auckland. I don’t know how long he will remain in New Zealand as his career in Poland is on the rise. While he remains here, do check his band out. It’s a treat you should not deny yourself – from michalmartyniuk.bandcamp.com
The gig was at Anthology, CJC Creative Jazz Club, Wed 14 2021. Michal Martyniuk (piano), Dixon Nacey (guitar), Cameron McArthur (bass), Ron Samsom (drums).
JazzLocal32.com was rated as one of the 50 best Jazz Blogs in the world by Feedspot. The author is a professional member of the Jazz Journalists Association, poet & writer. Some of these posts appear on related sites.