These events focus on emerging Improvising artists and allow them to gain wider exposure in front of a discriminating audience. They generally occur around three or four times a year. Some of those featured in the Emerging Artists Series are recent graduates, others are still pursuing their studies. In this case, we had two horn players from out of town; Christchurch and Wellington respectively. Their horns were different, and their approaches to the sets different, but both approached the gig with the confidence of seasoned performers. Such confidence translates well on the bandstand and it informs an audience that the musician means business. Artists often remark that playing in a small Jazz club like the CJC is a unique experience. It’s not like a noisy bar, where people often ignore you, and it’s more intimate than a concert hall where an audience gives limited feedback. Club audiences listen intensely, they react boisterously at the end of a good solo and they call in encouragement when a phrase resonates. Mostly they listen in silence and but they listen actively.Jimmy Rainey, a tenor player from Christchurch played the first set. He is a graduate of the Jazz School in Christchurch, now furthering his Jazz studies at the Auckland University Jazz School. In Christchurch, he’s involved with a number of groups such as the Symposium Jazz Orchestra (many will recall that orchestra on Glen Wagstaff’s album), and the earthy ‘Treme’ styled Justice Brass Band. On Wednesday, he had a premier Auckland Rhythm Section at his disposal, Kevin Field, Cameron McArthur and Ron Samsom. Most of the compositions were Rainey’s and they showed a developing maturity. His sound was interesting, especially on the down-tempo numbers, having that downtown late-night feel. He is in Auckland for a while and I am certain that we see more of him. His father is well-known on the scene but he is earning his own place in the light. With a Jazz-famous name like Rainey, he has a head start.Bryn van Vliet has visited the club before as part of the boisterous Wellington Mingus Ensemble. In that context, I have seen him play in Auckland and Wellington, but never as a leader. He is also a member of the Roger Fox Big Band and a graduate from the Wellington Jazz School. While van Vliet often doubles on tenor, he played alto for this gig. What immediately caught my attention was his clean tone. A compelling tonal quality that quickly drew you in. His playing has cut-through in ways that Paul Desmond’s did, but for all that it was a modern sound. Vliet is originally from the far North but his Wellington credentials will no doubt anchor him there. Like Rainey, he brought many of his own compositions to the bandstand and the same rhythm section backed both players. For the last number, a standard, they were on the bandstand together.
Emerging Artists Series: Jimmy Rainey (tenor) and Bryn van Vliet (alto). Rhythm section: Kevin Field (piano), Cameron McArthur (bass), Ron Samson (drums) @ CJC Creative Jazz Club 16th March 2016