For those who don’t live where we live, live gig reports could feel like salt rubbed into a wound. I write from a warm Pacific Island. A place where the virus is not in the community but where we can roam free (we don’t have snakes) and where we have live music available. We have had two short sharp lockdowns this year and as we emerged from each of them, the music venues filled up with enthusiastic punters; so what better way to exit the last lockdown but with joyful noise. Ruckus is a genre defying, assemblage of anarchic improvisers under the guidance of David Ward.
Last week saw the inclusion of saxophonist J. Y. Lee in the Ruckus lineup and his bold delivery added piquancy. There were three Monk tunes performed, and on these, Lee played Baritone saxophone. The richer palette worked well and the contrasting instrumentation gave the jagged bouncing lines of Monk’s compositions a rich earthy feel. Ruckus is one of several local groups which invariably include Monk tunes in their repertoire. Ward’s quirky Monk arrangements are always worth listening to.
Ward’s arrangements for Ruckus are also notable for their eclecticism, their lack of cliche. blues, Americana, latin tinge, free and swing and all fused into a jazz-grounded brew. There were folksy ballads and a tango referencing tune (I have posted the latter). This time, there was less Americana influence but it was still evident. The band’s sound is crafted from pedal steel guitar, a standard electric guitar (or guitars), drums, upright bass and multiple saxophones.
As always, Neil Watson alternated between pedal steel guitar and standard electric guitar. He and Ward are old hands at this material and they play off each other well. When both played guitar they never got in each other’s way, throwing challenging lines between them or else comping quietly as they laid down a cushion for the other.
Eamon Edmundson Wells upright bass work stood out on this gig. He sounded great. This is the type of band where he is at his best, the type of band where a degree of freedom is afforded him. Tristan Deck again proved his worth as a multi-faceted and capable drummer. I loved the stick work on the tango-esque number.
JazzLocal32.com was rated as one of the 50 best Jazz Blogs in the world by Feedspot. The author is a professional member of the Jazz Journalists Association. Some of the posts also appear on other sites.